Article of Interest

Controlling Your Approach Path

Drop flaps or slip the ship


At any point in the approach, the airplane has three kinds of energy available to it: kinetic energy, which is that given it by speed; potential energy that comes from its height above the ground; and the controlled energy, which can be given it by the throttle. The key to a successful approach, whether it is totally power off from downwind or flown onto final with power, is to first make sure the airplane has enough energy of all kinds--especially height and speed--that you're guaranteed to make the runway no matter what happens. Then, once we're on final, we can use the tools at our disposal to gradually get rid of excess energy so that we land on our chosen touchdown point.

If we're above the optimum speed when the nose comes up to flare, the airplane will skate along in ground effect and float--which not only makes it more difficult to hit a given spot, but also gives any crosswind more time to work on us. If we're slow, the airplane will have less than the normal amount of hang time during flare and, if slow enough, can deposit us on the runway in a spectacularly abrupt manner.

Extending the landing gear on a retractable-gear aircraft greatly increases drag and steepens the glidepath. This should be the first configuration change made while still on downwind, to avoid forgetting it and help to stabilize the approach. The only time gear extension would be delayed until final approach would be on an emergency landing where we don't want to commit to the permanent drag of the landing gear until we're positive we're going to make the field.

Flaps represent a way to increase the approach angle because the lift generated by flaps is accompanied by an increase in drag. Although it varies with the exact type of flap (Fowler, slotted, unslotted, simple hinged), it is generally assumed that as flaps are extended past 15 degrees, they begin generating more drag than lift. As the wing's lift increases, so does the drag, and the nose must go down to maintain speed--which increases the glidepath angle. The increase in lift from 15 degrees to 40 degrees of flap extension is small, but the drag skyrockets. Those favoring power-on approaches generally extend their flaps by varying amounts on the different legs, so that when they turn final, they extend the last notch.

And then there is the slip. Before training airplanes were equipped with flaps, the forward slip was a major part of a student's training. Knowing how to use a forward slip gives a pilot almost total control over where his airplane will contact the runway. A slip is nothing more than holding an airplane in a bank with aileron and keeping it from turning with opposite rudder. The resulting cross-controlled, wing-down, nose-out-of-line attitude dramatically increases drag, although the maximum amount depends very much on the make and model of airplane. Some aircraft carry either prohibitions or cautions about slipping the airplane with the flaps fully extended; check your POH.

As the airplane approaches ground effect, the controls are released and the airplane physically aligned with the runway--unless a crosswind requires that you transition into a sideslip. For recovery, rather than suddenly neutralizing the controls at once, we're going to slowly release the inputs and exit the slip gradually, which gives us more opportunity to accurately judge the wind. At the same time, it lets us do a much better job of getting into ground effect at the altitude we want, rather than just accepting whatever we get if we pop out of the slip.


The beauty of coming out of the slip slowly is that, if we see that we're higher than we want to be, we just hang on to a bit of the slip a little longer and lose those last few feet of unwanted altitude.


Controlling the glidepath requires understanding the techniques available and the dynamics of the airplane, as well as the effects of the air through which it is moving. Still, number one on the list of skills we need to develop is the ability to visually fix on our reference point on the runway and understand what its movement is telling us. After all, we can’t correct what we can't see.

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Gathering of Mustange & Legends 2007
By Larry Wilcox


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